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The exhibition continues the artist’s core creative thread since 2013, which has revolved around two marginal groups: the Mang People, an ethnic minority group living along China's border with Vietnam; and the laborers at the Sanhe Labor Market, new migrants living in the Shenzhen Longhua Industrial District. By following and becoming involved in these groups for long periods of time, and engaging in multiregional, multidisciplinary and multimedia artistic methods, the artist presents and discusses an implicit thread contained within the ever-expanding system of global capital. The exhibition is curated by OCAT Shenzhen Researcher Chen Baiqi, who spreads the artworks along the terrain of a winding simulated mountain environment in an attempt to make visible and sensible the relationships between these new proletarians, and to link the imagery of this exhibition with the issues it aims to discuss.